"Tchaikovsky : Symphony No.5 in E minor Op.64 : II Andante cantabile, con alcuna licenza" by Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra was released on January 1, 1996. Tchaikovsky : Symphony No.5 in E minor Op.64 : II Andante cantabile, con alcuna licenza appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Tchaikovsky : Symphony No.5 & 1812 Overture". In this album, this song's track order is #2. Tchaikovsky : Symphony No.5 in E minor Op.64 : II Andante cantabile, con alcuna licenza is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky : Symphony No.5 in E minor Op.64 : II Andante cantabile, con alcuna licenza by Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | E Minor | 1 | 9A | 131 BPM | ||
Souvenir de Florence, Op. 70 TH 118: I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D♭ Major | 1 | 3B | 82 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace | Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 130 BPM | ||
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
L'Oiseau de feu, K010: II. Le jardin enchanté de Kastchei | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Minor | 0 | 6A | 78 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Feu d'artifice, Op. 4 | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 0 | 4B | 83 BPM |