Joaquin Nin, Lucrezia Bori, George Copeland, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra's 'Malagueña (Recorded 1937)' came out on January 1, 2006. The duration of Malagueña (Recorded 1937) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Malagueña (Recorded 1937)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra's "Lucrezia Bori in Opera and Song" album is number 38 out of 43. Malagueña (Recorded 1937) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Malagueña (Recorded 1937) by Joaquin Nin, Lucrezia Bori, George Copeland, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Hijas del Zebedeo: Luisa's Aria | Pablo Luna, Ruperto Chapí, Jose Serrano, Francisco Alonzo, Juan Manen, Joaquín Valverde, Rafael Martinez Valls, Lizcano de la Rosa, Eduardo Toldra, Joaquin Nin, Vicente Romero, Tomás de Aquino, Charles Maduro, Conchita Supervia | B♭ Major | 1 | 6B | 91 BPM | ||
Indianas: IV. Viento Norte | Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay | A Major | 2 | 11B | 157 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Stabat Mater, FP 148: I. Stabat Mater dolorosa | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | A Minor | 1 | 8A | 104 BPM | ||
Cucurrucucú paloma | Tomás Mendez, Nicholas Mulroy, Elizabeth Kenny, Toby Carr | A Minor | 0 | 8A | 137 BPM | ||
Haugtussa, Op. 67: VII. Vond dag | Charlotte Hoather, George Todica | B♭ Minor | 1 | 3A | 58 BPM | ||
Falla: 7 Canciones populares españolas: No. 7, Polo (Live) | Manuel de Falla, Victoria de los Ángeles, Gerald Moore | D Major | 2 | 10B | 90 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
Four Last Songs, TrV 296: II. September | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM |