"Four Last Songs, TrV 296: II. September" by Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France was released on February 9, 2024. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Richard Strauss, Asmik Grigorian's "Laws of Solitude. Strauss: Four Last Songs" album is number 2 out of 8. On top of that, France appears to be the country where this track was created. Four Last Songs, TrV 296: II. September is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Four Last Songs, TrV 296: II. September by Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haugtussa, Op. 67: IV. Møte | Charlotte Hoather, George Todica | F Major | 2 | 7B | 105 BPM | ||
The Adventures of Tin Tin: Air de Bijoux | Danish National Concert Choir, Danish National Symphony Orchestra, Christian Schumann, Beate Mordal | D Minor | 5 | 7A | 141 BPM | ||
Fidelio, Op. 72, Act I: Mir ist so wunderbar | Ludwig van Beethoven, Marek Janowski, Dresdner Philharmonie, Lise Davidsen, Christina Landshamer, Georg Zeppenfeld, Cornel Frey | E Major | 2 | 12B | 118 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": II. Chor: Alles, was Odem hat, lobe den Herrn / Sopran solo: Lobe den Herrn, meine Seele | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath, Chen Reiss | E Major | 1 | 12B | 72 BPM | ||
Eventide: II. Tema | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM | ||
Mai | Reynaldo Hahn, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | D Major | 4 | 10B | 74 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM |