On December 1, 2014, the song "Medea (Medee) (Sung in Italian): Act I: Qui tremar devi tu (Creonte, Glauce, Chorus)" was released by Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno. The duration of Medea (Medee) (Sung in Italian): Act I: Qui tremar devi tu (Creonte, Glauce, Chorus) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Medea (Medee) (Sung in Italian): Act I: Qui tremar devi tu (Creonte, Glauce, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 40 in Cherubini: Medea (1959) by Luigi Cherubini, Maria Callas, Joan Carlyle, Nicola Rescigno, Royal Opera House Chorus, Covent Garden. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Medea (Medee) (Sung in Italian): Act I: Qui tremar devi tu (Creonte, Glauce, Chorus) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Medea (Medee) (Sung in Italian): Act I: Qui tremar devi tu (Creonte, Glauce, Chorus) by Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | E♭ Major | 1 | 5B | 64 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Orchestra da Camera Fiorentina, Coro dell'Orchestra da Camera Fiorentina, Giuseppe Lanzetta | A♭ Major | 0 | 4B | 73 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
Requiem No. 2 in D minor: 1. Introitus et Kyrie | Luigi Cherubini, Czech Chorus, Prague, Josef Veselka, Czech Philharmonic Orchestra, Igor Markevitch | C Major | 3 | 8B | 73 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Cherubini: Medea, Act I: "Taci, Giason" (Medea, Giasone) | Luigi Cherubini, Maria Callas, Gino Penno, Orchestra Del Teatro Alla Scala, Milano, Leonard Bernstein | D Minor | 1 | 7A | 84 BPM |