Pieter Jan Leusink, Ruth Holton, Louis Van Emmerik, Nico Van Der Meel, Bas Ramselaar, Jan Willem Vis, Johann Sebastian Bach, Holland Boys Choir; Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Teunis De Zwart, Sytse Buwalda's 'V. Herr Gott, Dich Loben Wir BWV 16, Aria (Tenore): Geliebter Jesu, Du Allein' came out on December 22, 2006. Since V. Herr Gott, Dich Loben Wir BWV 16, Aria (Tenore): Geliebter Jesu, Du Allein is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 17 in Bach Edition Vol. 4, Cantatas Vol. I Part: 2 by Pieter Jan Leusink. In terms of popularity, V. Herr Gott, Dich Loben Wir BWV 16, Aria (Tenore): Geliebter Jesu, Du Allein is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of V. Herr Gott, Dich Loben Wir BWV 16, Aria (Tenore): Geliebter Jesu, Du Allein by Pieter Jan Leusink, Ruth Holton, Louis Van Emmerik, Nico Van Der Meel, Bas Ramselaar, Jan Willem Vis, Johann Sebastian Bach, Holland Boys Choir; Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Teunis De Zwart, Sytse Buwalda is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: II. Allegro | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D Minor | 2 | 7A | 82 BPM | ||
Stabat Mater: V. Tui nati vulnerati | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
Allein zu dir, Herr Jesu Christ | Johann Pachelbel, Dieter Glös | B♭ Major | 0 | 6B | 62 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 0 | 3A | 82 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | C Minor | 1 | 5A | 82 BPM | ||
Ruwe stormen mogen woeden | Pieter Jan Leusink, Urker Mannen Ensemble | E♭ Major | 4 | 5B | 91 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | ||
In furore iustissimae irae, RV 626: VI. Alleluia | Antonio Vivaldi, Elly Ameling, English Chamber Orchestra, Vittorio Negri, Jeffrey Tate | E♭ Major | 2 | 5B | 116 BPM | ||
Missa Paschalis, ZWV 7: Dona nobis pacem | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 1 | 4B | 173 BPM |