Fritz Wunderlich's 'Wie das schnattert, wie das plappert' came out on 2017. With this song being about 5 minutes long, at 5:16, "Wie das schnattert, wie das plappert" by Fritz Wunderlich is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 35 in the song's album "O sole mio". In this album, this song's track order is #18. In terms of popularity, Wie das schnattert, wie das plappert is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wie das schnattert, wie das plappert by Fritz Wunderlich having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Kiss (Hubicka) - Opera in 2 Acts: Lullaby | Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing | A Major | 1 | 11B | 75 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Manon (1990 Digital Remaster), Acte II: Ich schloß die Augen (En ferment les yeux) | Hans Müller-Kray, Bavarian State Orchestra | E Minor | 1 | 9A | 74 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "For He shall give His angels charge" | Felix Mendelssohn, Edinburgh Festival Chorus, Patricia Bardon, Renée Fleming, John Mark Ainsley, Libby Crabtree, Sara Fulgoni, John Bowen, Geoffrey Moses, Neal Davies, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 2 | 9B | 62 BPM | ||
Lohengrin, WWV 75 / Act III: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Elias, Op. 70, MWV A25, Part I: No. 20, Chorus "Dank sei dir, Gott" | Felix Mendelssohn, Delphine Collot, Petteri Salomaa, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Eugene Onegin, Op. 24, TH 5: "Sag, wer von beiden ist Tatjana" | Pyotr Ilyich Tchaikovsky, Evelyn Lear, Brigitte Fassbaender, Fritz Wunderlich, Dietrich Fischer-Dieskau, Orchester der Bayerischen Staatsoper München, Otto Gerdes | E♭ Major | 1 | 5B | 75 BPM | ||
Eugene Onegin, Op. 24, TH 5: "Wohin seid ihr entschwunden" | Pyotr Ilyich Tchaikovsky, Fritz Wunderlich, Orchester der Bayerischen Staatsoper München, Otto Gerdes | E Minor | 1 | 9A | 87 BPM |