"Violin Concerto, Op. 12: I. Andante con moto" by Kurt Weill, Henry Raudales, Munich Radio Orchestra, Gerd Müller-Lorenz was released on January 1, 2016. Violin Concerto, Op. 12: I. Andante con moto appears to be safe for all ages as it is not explicit. This song is part of Weill: Violin Concerto, Op. 12, Kleine Dreigroschenmusik & Berlin im Licht by Kurt Weill, Henry Raudales, Munich Radio Orchestra, Gerd Müller-Lorenz. The song's track number on the album is #1 out of 14 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Violin Concerto, Op. 12: I. Andante con moto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Concerto, Op. 12: I. Andante con moto by Kurt Weill, Henry Raudales, Munich Radio Orchestra, Gerd Müller-Lorenz has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Violin Concerto, Op. 12: I. Andante con moto being at 133 テンポ, the half-time would be 66 テンポ with a double-time of 266 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
An die Musik, D. 547 (Op. 88/4) | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | B♭ Major | 1 | 6B | 113 BPM | ||
Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia) | Jacques Offenbach, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra | A♭ Major | 0 | 4B | 174 BPM | ||
Winterreise, D. 911: No. 24 Der Leiermann | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | G Minor | 0 | 6A | 74 BPM | ||
Je te veux | Erik Satie, Patricia Petibon, Susan Manoff, Christian-Pierre La Marca | C Major | 1 | 8B | 76 BPM | ||
Fauré: 3 Songs, Op. 7: No. 1, Après un rêve, "Dans un sommeil que charmait ton image" (Andantino) | Gabriel Fauré, Véronique Gens/Roger Vignoles | F Minor | 0 | 4A | 122 BPM | ||
Valse Caprice | Vladislav Cojocaru | C Major | 3 | 8B | 147 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
La Sonnambula / Act 2: Ah! non credea mirarti si presto estinto, o fiore | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi | C Major | 0 | 8B | 176 BPM | ||
Winterreise, D911: Gute Nacht | Franz Schubert, Jonas Kaufmann | D Minor | 0 | 7A | 101 BPM |