Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore's 'An die Musik, D. 547 (Op. 88/4)' came out on January 1, 1969. The duration of An die Musik, D. 547 (Op. 88/4) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. An die Musik, D. 547 (Op. 88/4)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 171 in the song's album "Schubert: Lieder (Vol. 2)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, An die Musik, D. 547 (Op. 88/4) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An die Musik, D. 547 (Op. 88/4) by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Os justi | Anton Bruckner, Voces8 | C Major | 0 | 8B | 138 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Requiem, Op.48: 7. In Paradisum (Chorus) | Gabriel Fauré, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus London | D Major | 0 | 10B | 63 BPM | ||
Lieder (Duette), Op. 63: II. Abschiedslied der Zugvögel | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | E♭ Major | 1 | 5B | 167 BPM | ||
Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | D Minor | 1 | 7A | 105 BPM | ||
A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | ||
Petite messe solennelle: Petite messe solennelle: Agnus Dei | Gioachino Rossini, Birgit Remmert, Marcus Creed, RIAS Kammerchor | C Major | 1 | 8B | 80 BPM | ||
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM |