Francesco Geminiani, George Ross, Alastair Ross's 'Cello Sonata in D Minor, Op. 5, No. 2: I. Andante' came out on April 26, 2024. The duration of Cello Sonata in D Minor, Op. 5, No. 2: I. Andante is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Cello Sonata in D Minor, Op. 5, No. 2: I. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 26 in Father & Son: Francesco Geminiani Sonatas for Cello and Continuo, Op. 5 by Francesco Geminiani, Alastair Ross, George Ross. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cello Sonata in D Minor, Op. 5, No. 2: I. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Sonata in D Minor, Op. 5, No. 2: I. Andante by Francesco Geminiani, George Ross, Alastair Ross is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Himmelskonig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | D Major | 8 | 10B | 102 BPM | ||
Sonata Sesta in F Major: II. Allemande | Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet | F♯ Major | 2 | 2B | 116 BPM | ||
Sinfonia a quattro No. 1 in B-Flat Major, SF C781: III. Gavotta | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Concerto Grosso in D Major, Op. 2, No. 4: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 139 BPM | ||
Sonata for 2 Violins in C Major, Op. 3 No. 3: II. Adagio | Jean-Marie Leclair, Emmanuele Baldini, Leonardo Bock | E♭ Major | 0 | 5B | 115 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): IV. Giga: Allegro (arr. W. Babell) | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | D♭ Major | 1 | 3B | 126 BPM | ||
Sylvie: Air pour les cyclopes | Pierre-Montan Berton, Jean-Claude Trial, Reinoud Van Mechelen, A Nocte Temporis | F♯ Minor | 1 | 11A | 104 BPM | ||
Pieces in D Minor: IV. Contredance La Furstemberg | Henry Purcell, Jakob Lindberg | D Minor | 0 | 7A | 93 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM |