Julián Moyrón, Pablo Luna, Marcos Redondo made "Los Cadetes de la Reina: Es el Pecado Más Horrible… Mariposa Es la Reina Gentil (Septimino) - Remastered" available on March 31, 2014. The duration of Los Cadetes de la Reina: Es el Pecado Más Horrible… Mariposa Es la Reina Gentil (Septimino) - Remastered is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Los Cadetes de la Reina: Es el Pecado Más Horrible… Mariposa Es la Reina Gentil (Septimino) - Remastered's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Los Cadetes de la Reina: Es el Pecado Más Horrible… Mariposa Es la Reina Gentil (Septimino) - Remastered is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Los Cadetes de la Reina: Es el Pecado Más Horrible… Mariposa Es la Reina Gentil (Septimino) - Remastered by Julián Moyrón, Pablo Luna, Marcos Redondo is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme, dritter Akt: Sa dirmi, scusi | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Un Pañuelo por la Cara / Tengo Que Subir, Subir (feat. Rondalla) | José Oto, Rondalla | G Major | 3 | 9B | 89 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Cari luoghi ov'io passai | Gaetano Donizetti, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Popurrí Jotas a Duo: La VI Reñir Con Mi Padre / La Penicilina / El Anciano / Si en Aragón la Escuchamos | Genaro Dominguez, Lorenzo Navascues | G Major | 3 | 9B | 126 BPM | ||
Carmentea | Orquesta Sinfónica Nacional de Colombia | D Major | 6 | 10B | 110 BPM | ||
Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
Ku-Klux-Klan | Salud Ruiz | E Major | 2 | 12B | 126 BPM | ||
Il turco in Italia, Act I: No mia vita, mio tesoro (Critical Ed. Margaret Bent) | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
Navarrica y de Tafalla / Es Buena para Rondar (feat. Rondalla Goya) | Hermanas Flamarique, Rondalla Goya | G Major | 3 | 9B | 81 BPM | ||
El Año Pasado por Agua: "Vals: De los Mares Rey Me Llaman" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | B♭ Major | 4 | 6B | 96 BPM |