Ray Sinatra, Mario Lanza's 'Torna a Surriento (Come Back to Sorrento)' came out on 1990. The duration of Torna a Surriento (Come Back to Sorrento) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Torna a Surriento (Come Back to Sorrento)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 24 in Be My Love by Mario Lanza. The popularity of Torna a Surriento (Come Back to Sorrento) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Torna a Surriento (Come Back to Sorrento) by Ray Sinatra, Mario Lanza is Presto (very, very fast), since this song has a tempo of 177 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
La vita è bella | Nicola Piovani, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Major | 2 | 10B | 131 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
誰も寝てはならぬ (歌劇『トゥーランドット』より) | ルチアーノ・パヴァロッティ | B Minor | 4 | 10A | 174 BPM | ||
Don Gil de Alcalá: "Acto II": Todas las Mañanitas: "Habanera" | Manuel Penella, Ataúlfo Argenta | B♭ Major | 2 | 6B | 89 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM | ||
Webber/ Arr Schifrin: Around the World Part 2: Phantom of the Opera - All I Ask Of You | Andrew Lloyd Webber, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Major | 2 | 5B | 76 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Il Bacio | Luigi Arditi, Olga Peretyatko, Enrique Mazzola | D Major | 1 | 10B | 96 BPM |