Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge's 'Norma / Act 1: "Meco all'altar di Venere"' came out on November 11, 1987. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 43 in Bellini: Norma by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge. Norma / Act 1: "Meco all'altar di Venere" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma / Act 1: "Meco all'altar di Venere" by Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge is Larghetto (rather broadly), since this song has a tempo of 62 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Rigoletto / Act 1: "Figlia..Mio padre!"..."Quanto dolor" | Giuseppe Verdi, Sherrill Milnes, Dame Joan Sutherland, Gillian Knight, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 76 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | F Major | 2 | 7B | 83 BPM | ||
Rigoletto / Act 3: "V'ho ingannato" - "Lassù... in cielo" | Giuseppe Verdi, Joan Sutherland, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 82 BPM | ||
La Bohème / Act 3: "Mimi!" - "Speravo di trovarvi qui" - Live | Giacomo Puccini, Anna Netrebko, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | F Major | 1 | 7B | 176 BPM | ||
Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
Dunque Io Son...Tu Non M' Inganni | Gioachino Rossini, Riccardo Chailly | G Major | 1 | 9B | 125 BPM | ||
L´Arlesiana: È la solita storia | Francesco Cilea, Jon Vickers, Orchestra Dell Opera Di Roma, Tullio Serafin | A Minor | 1 | 8A | 77 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Va, crudele, al Dio spietato" | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
Danza, Danza Fanciulla | Francesco Durante, Luciano Pavarotti, National Philharmonic Orchestra, Antonio Tonini | B♭ Minor | 4 | 3A | 99 BPM |