"The Armed Man (Ensemble Version): VI. Hymn Before Action" by Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera was released on January 12, 2024. The duration of The Armed Man (Ensemble Version): VI. Hymn Before Action is about 3 minutes long, at 3:08. Based on our data, "The Armed Man (Ensemble Version): VI. Hymn Before Action" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera's "Karl Jenkins: The Armed Man (Ensemble Version)" album is number 6 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Armed Man (Ensemble Version): VI. Hymn Before Action's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Armed Man (Ensemble Version): VI. Hymn Before Action by Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Pseudo-Yoik | Jaakko Mäntyjärvi, Chamber Choir 441 Hz, Anna Wilczewska | A Major | 5 | 11B | 76 BPM | ||
What Kind of Shepherd | Douglas A. Byler, Adam M. L. Tice, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
Keep Me as the Apple of an Eye | Neil Cox, The Gesualdo Six, Owain Park | B♭ Major | 1 | 6B | 81 BPM | ||
Ethereal Resonance | LeoRoads | F Major | 1 | 7B | 80 BPM | ||
The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
When All Thy Mercies | The Guilford Cathedral Choir | A♭ Major | 2 | 4B | 85 BPM | ||
Mass in D Major, Op. 86, B. 153: III. Credo | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | B♭ Major | 1 | 6B | 79 BPM | ||
A Prayer from South Africa | James Whitbourn, Westminster Williamson Voices, James Jordan | D Major | 2 | 10B | 87 BPM |