Hanspeter Gmür, Camerata Rhenania made "Concerto for 2 lire organizzate in G Major, Hob VIIh:2: III. Rondo. Presto" available on January 1, 2009. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Haydn: Concertos for Violin Nos. 1 - 6 & Concertos for Lyre Nos. 1 - 5" album is number 1 out of 21. Concerto for 2 lire organizzate in G Major, Hob VIIh:2: III. Rondo. Presto is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Concerto for 2 lire organizzate in G Major, Hob VIIh:2: III. Rondo. Presto by Hanspeter Gmür, Camerata Rhenania to be Larghetto (rather broadly) because the track has a tempo of 64 テンポ, a half-time of 32テンポ, and a double-time of 128 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Concerto In F Minor: Largo | Johann Sebastian Bach, Karen Englund & Societas Musica Chamber Orchestra | A♭ Major | 0 | 4B | 94 BPM | ||
Il Trovatore, Act I: "Tacea la Notte Placida" | Giuseppe Verdi, Hanspeter Gmür, Nürnberg Symphony Orchestra | A♭ Major | 2 | 4B | 62 BPM | ||
Orphee et Eurydice, Act II, Dance of the Blessed Spirits, Orfeo ed Euridice, Act II: Orfeo ed Euridice, Act II: Dance of the Blessed Spirits (arr. for flute and harp) | Donald Sosin, Christoph Willibald Gluck, Nora Shulman, Judy Loman | F Major | 1 | 7B | 82 BPM | ||
Martha: "Ach so fromm, ach so traut" | Friedrich von Flotow, Hanspeter Gmür, Nürnberg Symphony Orchestra, Jose Perez | B♭ Major | 2 | 6B | 131 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM |