"Nobilissima visione Suite: I. Einleitung und Rondo" by Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski was released on February 16, 2018. Since Nobilissima visione Suite: I. Einleitung und Rondo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski's "Hindemith: Symphonic Metamorphosis, Nobilissima visione Suite & Konzertmusik" album is number 5 out of 9. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Nobilissima visione Suite: I. Einleitung und Rondo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nobilissima visione Suite: I. Einleitung und Rondo by Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Sonatine, M.40 - for Piano: 1. Modéré | Maurice Ravel, Martha Argerich | B Minor | 0 | 10A | 75 BPM | ||
Symphony No.1 in D minor, Op.13: 3. Larghetto | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | C Minor | 0 | 5A | 69 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Divertimento for Strings, Sz. 113: I. Allegro non troppo | Béla Bartók, Chicago Symphony Strings, Sir Georg Solti | B♭ Major | 2 | 6B | 108 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 0 | 9A | 82 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM |