"Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet)" by Claude Debussy, François Salque, Eric Le Sage was released on 2004. The duration of Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Je n'aime pas le classique, mais avec Gaspard Proust j'aime bien !" album is number 2 out of 45. On top of that, France appears to be the country where this track was created. Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet) by Claude Debussy, François Salque, Eric Le Sage to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jorge Bolet | D♭ Major | 0 | 3B | 84 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Mozart: Flute Sonata in C Major, K. 296: I. Allegro vivace (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | C Major | 2 | 8B | 92 BPM | ||
12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | G Minor | 0 | 6A | 91 BPM | ||
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 4, Innig (Transcr. Bizet for Piano 4-Hands) | Robert Schumann, Eric Le Sage, Alexandre Tharaud | A♭ Major | 1 | 4B | 109 BPM | ||
Concerto in E-Flat Major, Op. 1: II. Adagio | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | A♭ Major | 0 | 4B | 133 BPM | ||
Les berceaux, Op. 23 No. 1 | Gabriel Fauré, Christian-Pierre La Marca | C Minor | 0 | 5A | 65 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Ducros: Encore | Jerome Ducros, Gautier Capuçon | D Major | 3 | 10B | 81 BPM |