Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet)

Claude Debussy, François Salque, Eric Le Sage
Je n'aime pas le classique, mais avec Gaspard Proust j'aime bien !
2:58 2004日
テンポ
70
キー
G Minor
キャメロットミュージックキー
6A

リンクを埋め込む

共有

Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet) - Claude Debussy, François Salque, Eric Le Sage 情報

音響性
98%
ダンサビリティ
21%
エネルギー
3%
手段性
84%
活気
10%
ラウドネス
59%
話し言葉
4%
価数
4%
人気
ラウドネス
-24.361 dB

まとめ

"Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet)" by Claude Debussy, François Salque, Eric Le Sage was released on 2004. The duration of Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Je n'aime pas le classique, mais avec Gaspard Proust j'aime bien !" album is number 2 out of 45. On top of that, France appears to be the country where this track was created. Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet) テンポ

We consider the tempo marking of Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet) by Claude Debussy, François Salque, Eric Le Sage to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet) キー

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
6 Consolations, S. 172: No. 3 in D-Flat Major. Lento placido by Franz Liszt, Jorge Bolet6 Consolations, S. 172: No. 3 in D-Flat Major. Lento placidoFranz Liszt, Jorge BoletD♭ Major03B84 BPM
3 Pieces, Op. 2: No. 1 in C-Sharp Minor by Alexander Scriabin, Garrick Ohlsson3 Pieces, Op. 2: No. 1 in C-Sharp MinorAlexander Scriabin, Garrick OhlssonD♭ Minor012A128 BPM
Mozart: Flute Sonata in C Major, K. 296: I. Allegro vivace (Transcr. of Violin Sonata) by Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le SageMozart: Flute Sonata in C Major, K. 296: I. Allegro vivace (Transcr. of Violin Sonata)Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le SageC Major28B92 BPM
12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor by Pyotr Ilyich Tchaikovsky, Ilona Prunyi12 Morceaux, Op. 40: No. 2. Chanson triste in G MinorPyotr Ilyich Tchaikovsky, Ilona PrunyiG Minor06A91 BPM
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) by Claude Debussy, Yoav Talmi, Orchestre Symphonique De QuébecPetite suite, L. 65: I. En bateau (Orch. by Henri Busser)Claude Debussy, Yoav Talmi, Orchestre Symphonique De QuébecB Minor010A75 BPM
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 4, Innig (Transcr. Bizet for Piano 4-Hands) by Robert Schumann, Eric Le Sage, Alexandre TharaudSchumann: 6 Studien in kanonischer Form, Op. 56: No. 4, Innig (Transcr. Bizet for Piano 4-Hands)Robert Schumann, Eric Le Sage, Alexandre TharaudA♭ Major14B109 BPM
Concerto in E-Flat Major, Op. 1: II. Adagio by Bernhard Henrik Crusell, Michael Collins, Swedish Chamber OrchestraConcerto in E-Flat Major, Op. 1: II. AdagioBernhard Henrik Crusell, Michael Collins, Swedish Chamber OrchestraA♭ Major04B133 BPM
Les berceaux, Op. 23 No. 1 by Gabriel Fauré, Christian-Pierre La MarcaLes berceaux, Op. 23 No. 1Gabriel Fauré, Christian-Pierre La MarcaC Minor05A65 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Ducros: Encore by Jerome Ducros, Gautier CapuçonDucros: EncoreJerome Ducros, Gautier CapuçonD Major310B81 BPM
ISRC
FRZ051700053
レコードレーベル
L-M Records/RCA Records