Robert Schumann, Emanuel Geibel, Sibylla Rubens, Wiebke Lehmkuhl, Martin Mitterrutzner, Christian Gerhaher, Gerold Huber, James Cheung made "Spanische Liebeslieder, Op. 138: 10. Dunkler Lichtglanz, blinder Blick" available on September 3, 2021. The duration of Spanische Liebeslieder, Op. 138: 10. Dunkler Lichtglanz, blinder Blick is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Spanische Liebeslieder, Op. 138: 10. Dunkler Lichtglanz, blinder Blick's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 297 in the song's album "Schumann: Alle Lieder". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United States. In terms of popularity, Spanische Liebeslieder, Op. 138: 10. Dunkler Lichtglanz, blinder Blick is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Spanische Liebeslieder, Op. 138: 10. Dunkler Lichtglanz, blinder Blick by Robert Schumann, Emanuel Geibel, Sibylla Rubens, Wiebke Lehmkuhl, Martin Mitterrutzner, Christian Gerhaher, Gerold Huber, James Cheung having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Keyboard Sonata in D Major, Op. 25, No. 6: II. Un poco andante | Muzio Clementi, Donatella Failoni | D Major | 1 | 10B | 140 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM |