Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra's 'Etudes: XI. Small leaps' came out on February 1, 1996. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Riisager: Etudes". In this album, this song's track order is #17. Based on our statistics, Etudes: XI. Small leaps's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Etudes: XI. Small leaps by Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra having a テンポ of 159 with a half-time of 80 テンポ and a double-time of 318 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes: No. 14, Piques et grands pirouettes | Knudåge Riisager, Aarhus Symphony Orchestra, Andreas Delfs | G Major | 2 | 9B | 140 BPM | ||
Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Bavarian Radio Symphony Orchestra, Rafael Kubelík | B Minor | 0 | 10A | 112 BPM | ||
La fille mal gardée / Act 2: 27. Thomas, Alain And The Notaries | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 1 | 11B | 130 BPM | ||
Sauguet: Les forains: La représentation. Le prestidigitateur et la poupée | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
Act II. Waltz, Odetta's variations, the Dance of the small swans | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A Major | 0 | 11B | 181 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Scene | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 114 BPM | ||
Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
Giselle: Act II: Ensemble des Wilis | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 89 BPM | ||
L'etoile du nord: Act III: Entr'acte | Giacomo Meyerbeer, Elizabeth Futral, Vladimir Ognev, Darina Takova, Aled Hall, Christopher Maltman, Juan Diego Flórez, Agnete Munk Rasmussen, Patrizia Cigna, Robert Lee, Fernand Bernadi, Luis Ledesma, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Vladimir Jurowski | G Major | 0 | 9B | 79 BPM |