"Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato" by Igor Stravinsky, Leonard Bernstein, New York Philharmonic was released on 1947. The duration of Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato by Igor Stravinsky, Leonard Bernstein, New York Philharmonic is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Violin Concerto, Op. 14: III. Presto in moto | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | A Minor | 3 | 8A | 108 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 1. Naissance de Kijé | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | F Major | 1 | 7B | 143 BPM | ||
Serenade for Strings in E, Op.22: 5. Finale (Allegro vivace) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E Major | 1 | 12B | 84 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Canticum sacrum ad honorem Sancti Marci nominis: Euntes in mundum | Igor Stravinsky, Christian Elsner, Rudolf Rosen, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln | F Major | 2 | 7B | 97 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | ||
Violin Concerto, Op. 36: I. Poco Allegro | Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | A Minor | 2 | 8A | 82 BPM |