""Rinaldo": Lascia ch'io pianga (Handel)" by Julianne Baird, Brewer Baroque Chamber Orchestra ,Loretta O'Sullivan Edward Brewer & Rudolph Palmer was released on January 1, 1994. With this song being about 5 minutes long, at 4:30, ""Rinaldo": Lascia ch'io pianga (Handel)" by Julianne Baird, Brewer Baroque Chamber Orchestra ,Loretta O'Sullivan Edward Brewer & Rudolph Palmer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Julianne Baird, Brewer Baroque Chamber Orchestra ,Loretta O'Sullivan Edward Brewer & Rudolph Palmer's "Handel Arias" album is number 3 out of 15. "Rinaldo": Lascia ch'io pianga (Handel) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "Rinaldo": Lascia ch'io pianga (Handel) by Julianne Baird, Brewer Baroque Chamber Orchestra ,Loretta O'Sullivan Edward Brewer & Rudolph Palmer to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 132 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 13 Morning Mood | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | E Major | 0 | 12B | 139 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Lakmé: Sous le dome épais (Flower duet) | Heather Begg, Glenys Fowles | B Major | 1 | 1B | 169 BPM | ||
Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Passa Calle - Allegro Vivo | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | G Major | 1 | 9B | 102 BPM | ||
Mozart: Requiem in D Minor, K. 626: II. Kyrie | Nikolaus Harnoncourt, Vienna State Opera Chorus | D Minor | 2 | 7A | 84 BPM | ||
Pavane, Op. 50 - Excerpt | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | D Major | 0 | 10B | 130 BPM | ||
Tosca: Act II: Vissi d'arte, vissi d'amore (Tosca, Scarpia) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | A♭ Major | 3 | 4B | 176 BPM | ||
6 Gesänge, Op. 34 (text by H. Heine): Auf Flugeln des Gesänges [On Wings of Song], Op. 34, No. 2 | Felix Mendelssohn, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | F Major | 0 | 7B | 128 BPM | ||
In darkness let me dwell | John Dowland, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 83 BPM |