"Missa pro defunctis: Offertory" by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees was released on June 1, 1993. The duration of Missa pro defunctis: Offertory is about 3 minutes long, at 3:14. Based on our data, "Missa pro defunctis: Offertory" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Cambridge Taverner Choir, Owen Rees's "Music from Renaissance Portugal" album is number 7 out of 18. Missa pro defunctis: Offertory is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro defunctis: Offertory by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | B♭ Major | 1 | 6B | 82 BPM | ||
O Ecclesia, BN 64 | Hildegard von Bingen, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
Vezzosi augelli | Giaches de Wert, La Venexiana, Claudio Cavina | F♯ Major | 1 | 2B | 70 BPM | ||
Missa pro defunctis: II. Kyrie | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
And There Was War in Heaven | Howard Skempton, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 128 BPM | ||
Missa "Mater Patris": Gloria from the mass Mater Matris | Josquin des Prez, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Taverner: Missa Corona spinea - 06. Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 71 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Spirit of God | Komitas, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 177 BPM | ||
Mass of the Americas: IV. Offertory "Ave Maria" | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | C Minor | 3 | 5A | 133 BPM |