Stabat Mater, Op. 58, B. 71: Inflammatus et accensus

Antonín Dvořák, Christine Brewer, Marietta Simpson, John Aler, Ding Gao, The Washington Chorus, Washington Orchestra, Robert Shafer
Dvorak: Stabat Mater / Psalm 149
6:01 2002年8月12日
テンポ
112
キー
D Minor
キャメロットミュージックキー
7A

リンクを埋め込む

共有

Stabat Mater, Op. 58, B. 71: Inflammatus et accensus - Antonín Dvořák, Christine Brewer, Marietta Simpson, John Aler, Ding Gao, The Washington Chorus, Washington Orchestra, Robert Shafer 情報

音響性
98%
ダンサビリティ
30%
エネルギー
3%
手段性
0%
活気
30%
ラウドネス
52%
話し言葉
5%
価数
6%
人気
ラウドネス
-28.693 dB

まとめ

"Stabat Mater, Op. 58, B. 71: Inflammatus et accensus" by Antonín Dvořák, Christine Brewer, Marietta Simpson, John Aler, Ding Gao, The Washington Chorus, Washington Orchestra, Robert Shafer was released on August 12, 2002. Stabat Mater, Op. 58, B. 71: Inflammatus et accensus is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 2 out of 11 in Dvorak: Stabat Mater / Psalm 149 by Antonín Dvořák. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Stabat Mater, Op. 58, B. 71: Inflammatus et accensus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater, Op. 58, B. 71: Inflammatus et accensus テンポ

The tempo marking of Stabat Mater, Op. 58, B. 71: Inflammatus et accensus by Antonín Dvořák, Christine Brewer, Marietta Simpson, John Aler, Ding Gao, The Washington Chorus, Washington Orchestra, Robert Shafer is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.

Stabat Mater, Op. 58, B. 71: Inflammatus et accensus キー

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Carmina Burana / 3. Cour d'amours: Carmina Burana / 3. Cour d'amours: "Circa mea pectora"Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal DorátiE Minor39A86 BPM
4 Norwegian Dances, Op. 35: No. 4 in D-Major: Allegro molto by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi4 Norwegian Dances, Op. 35: No. 4 in D-Major: Allegro moltoEdvard Grieg, Gothenburg Symphony Orchestra, Neeme JärviA Major011B136 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat MajorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzD Major110B81 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinD Major310B85 BPM
Arsilda, regina di Ponto, RV 700, Act I: L'esperto nocchiero by Antonio Vivaldi, Sergio Foresti, Modo Antiquo, Federico Maria SardelliArsilda, regina di Ponto, RV 700, Act I: L'esperto nocchieroAntonio Vivaldi, Sergio Foresti, Modo Antiquo, Federico Maria SardelliA Major211B107 BPM
Smetana : Libuse : Overture to Act 1 by Eva UrbanovaSmetana : Libuse : Overture to Act 1Eva UrbanovaG Major19B56 BPM
Symphony No. 3 in D Major, Op. 29, Symphony No. 3 in D Major, Op. 29, "Polish": II. Allegro moderato e semplicePyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri KitayenkoG Minor06A120 BPM
Enigma Variations: Variation VI. Ysobel - Andantino by Edward Elgar, Sir Colin Davis, London Symphony OrchestraEnigma Variations: Variation VI. Ysobel - AndantinoEdward Elgar, Sir Colin Davis, London Symphony OrchestraC Major08B104 BPM
Gloria: 6. Qui sedes ad dexteram Patris by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverGloria: 6. Qui sedes ad dexteram PatrisFrancis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverG Major19B89 BPM
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 2 (Arr. E. Guiraud): III. MenuetGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezE♭ Major05B76 BPM
ISRC
HKI190116002
レコードレーベル
L-M Records/RCA Records