"Stabat Mater, Op. 58, B. 71: Inflammatus et accensus" by Antonín Dvořák, Christine Brewer, Marietta Simpson, John Aler, Ding Gao, The Washington Chorus, Washington Orchestra, Robert Shafer was released on August 12, 2002. Stabat Mater, Op. 58, B. 71: Inflammatus et accensus is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 2 out of 11 in Dvorak: Stabat Mater / Psalm 149 by Antonín Dvořák. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Stabat Mater, Op. 58, B. 71: Inflammatus et accensus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater, Op. 58, B. 71: Inflammatus et accensus by Antonín Dvořák, Christine Brewer, Marietta Simpson, John Aler, Ding Gao, The Washington Chorus, Washington Orchestra, Robert Shafer is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | E Minor | 3 | 9A | 86 BPM | ||
4 Norwegian Dances, Op. 35: No. 4 in D-Major: Allegro molto | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Arsilda, regina di Ponto, RV 700, Act I: L'esperto nocchiero | Antonio Vivaldi, Sergio Foresti, Modo Antiquo, Federico Maria Sardelli | A Major | 2 | 11B | 107 BPM | ||
Smetana : Libuse : Overture to Act 1 | Eva Urbanova | G Major | 1 | 9B | 56 BPM | ||
Symphony No. 3 in D Major, Op. 29, "Polish": II. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri Kitayenko | G Minor | 0 | 6A | 120 BPM | ||
Enigma Variations: Variation VI. Ysobel - Andantino | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | C Major | 0 | 8B | 104 BPM | ||
Gloria: 6. Qui sedes ad dexteram Patris | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 89 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM |