Carl Philipp Emanuel Bach, Eckart Haupt, Siegfried Pank, Armin Thalheim made "Flute Sonata in G Major, Wq. 127, H. 554: II. Allegro" available on January 1, 2004. With Flute Sonata in G Major, Wq. 127, H. 554: II. Allegro being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 205 in Bach, C.P.E.: C.P.E. Bach Edition (Symphonies, Concertos, キーboard Music, Flute Sonatas, Vocal Music) by Carl Philipp Emanuel Bach, Various Artists, Hartmut Haenchen, Max Pommer, Hermann Max. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Flute Sonata in G Major, Wq. 127, H. 554: II. Allegro is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Flute Sonata in G Major, Wq. 127, H. 554: II. Allegro by Carl Philipp Emanuel Bach, Eckart Haupt, Siegfried Pank, Armin Thalheim is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, Kk. 34 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Sonata terza in G minor, Parte Prima: IV. Tempo giusto | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Concerto grosso in B flat, Op. 3, No. 2: 1. Vivace - Grave | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Allegro | Cologne Chamber Orchestra | C Major | 2 | 8B | 125 BPM | ||
管弦楽組曲第2番ロ短調BWV1067 バディネリ | ベルリン フィルハーモニー管弦楽団, Edith Picht-Axenfeld, カールハインツ・ツェラー | E♭ Major | 1 | 5B | 90 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM |