Paul Moravec, Lyric Opera of Kansas City, Gerard Schwarz, Edward Parks, Kelly Kaduce, Malcolm Mackenzie's 'The Shining, Act I: Time for bed, my child' came out on April 12, 2024. The duration of The Shining, Act I: Time for bed, my child is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. The Shining, Act I: Time for bed, my child's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 68 in the song's album "The Shining". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Netherlands. The Shining, Act I: Time for bed, my child is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Shining, Act I: Time for bed, my child by Paul Moravec, Lyric Opera of Kansas City, Gerard Schwarz, Edward Parks, Kelly Kaduce, Malcolm Mackenzie having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Copland: Suite from Appalachian Spring: II. Allegro (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Suite From The Little Mermaid: Happy Ending (Part Of Your World, Reprise) | Cincinnati Pops Orchestra, Erich Kunzel, Indiana University Singing Hoosiers | G Major | 0 | 9B | 69 BPM | ||
Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
The Shining, Act I: Time for bed, my child | Paul Moravec, Lyric Opera of Kansas City, Gerard Schwarz, Edward Parks, Kelly Kaduce, Malcolm Mackenzie | F Minor | 3 | 4A | 77 BPM | ||
The Holy Sonnets of John Donne, Op. 35: Sonnet XIV: Batter my heart | Benjamin Britten, Steuart Bedford, Philip Langridge | C Minor | 4 | 5A | 0 BPM | ||
褪色的秘宴 | HOYO-MiX | C Minor | 8 | 5A | 140 BPM | ||
Serenade in G Major (original version): II. Air: Lento, ma non troppo | Ernest John Moeran, Ulster Orchestra, Joann Falletta | E Minor | 0 | 9A | 110 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
Serenade of the Celestials | LeoRoads | E Major | 1 | 12B | 117 BPM |