"Ich steh an deiner Krippen hier" by Hermann Prey, Hans Georg Renner, Dietmar Keller, Helmut Böcker, Wolfgang Stert, Fritz Neumeyer was released on January 1, 2003. The duration of Ich steh an deiner Krippen hier is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Ich steh an deiner Krippen hier's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 70 in the song's album "The Christmas Album". In this album, this song's track order is #11. Based on our statistics, Ich steh an deiner Krippen hier's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ich steh an deiner Krippen hier by Hermann Prey, Hans Georg Renner, Dietmar Keller, Helmut Böcker, Wolfgang Stert, Fritz Neumeyer having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani / Act 1: All'erta! All'erta! L'alba appari | Vincenzo Bellini, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 119 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 76 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
49 Deutsche Volkslieder, WoO 33 - Book I: 6. Da unten im Tale | Johannes Brahms, Hermann Prey, Karl Engel | E♭ Major | 1 | 5B | 69 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Die schöne Müllerin, D.795: 4. Danksagung an den Bach | Franz Schubert, Hermann Prey, Leonard Hokanson | C Major | 1 | 8B | 127 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Loewe: Prinz Eugen der edle Ritter, Op. 92 | Carl Loewe, Hermann Prey, Günther Weissenborn | G Major | 1 | 9B | 132 BPM |