Vincenzo Bellini, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge's 'I Puritani / Act 1: All'erta! All'erta! L'alba appari' came out on January 1, 1975. Since I Puritani / Act 1: All'erta! All'erta! L'alba appari is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 26 in Bellini: I Puritani by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Piero Cappuccilli, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge. In terms of popularity, I Puritani / Act 1: All'erta! All'erta! L'alba appari is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Puritani / Act 1: All'erta! All'erta! L'alba appari by Vincenzo Bellini, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Voglio dire, lo stupendo...Va mortale fortunato | Gaetano Donizetti, Luciano Pavarotti, Spiro Malas, English Chamber Orchestra, Richard Bonynge | G Major | 3 | 9B | 112 BPM | ||
Bellini: I puritani, Act 2: "Qui la voce sua soave" (Elvira) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | ||
Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | A♭ Major | 2 | 4B | 98 BPM | ||
Rigoletto / Act 3: "Venti scudi hai tu detto" | Giuseppe Verdi, Sherrill Milnes, Martti Talvela, Luciano Pavarotti, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | D Major | 1 | 10B | 73 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): A un dottor della mia sorte (Bartolo) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E♭ Major | 3 | 5B | 138 BPM | ||
Serenade for tenor, horn & strings, Op. 31: Dirge - This Ae Night | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | A♭ Major | 2 | 4B | 113 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3: Arrival of the Guests & Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Major | 1 | 4B | 91 BPM | ||
Il Trovatore / Act 1: "Di due figli" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Minor | 1 | 9A | 105 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
Rigoletto / Act I: Quel vecchio maledivami! | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | F Major | 1 | 7B | 106 BPM |