"Concerto for Orchestra: II. Capriccio notturno ed arioso. Vivace" by Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon was released on November 3, 2023. Concerto for Orchestra: II. Capriccio notturno ed arioso. Vivace is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The track order of this song in Witold Lutosławski, Christian Tetzlaff, Finnish Radio Symphony Orchestra, Nicholas Collon's "Lutosławski: Concerto for Orchestra, Partita (Version for Violin & Orchestra) & Novelette" album is number 2 out of 13. On top of that, Finland appears to be the country where this track was created. Concerto for Orchestra: II. Capriccio notturno ed arioso. Vivace is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto for Orchestra: II. Capriccio notturno ed arioso. Vivace by Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: III. Allegro molto - Largamente assai | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | D Major | 2 | 10B | 71 BPM | ||
Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
Sinfonietta No. 2: III. Serenade: Tempo di valse | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Major | 0 | 8B | 88 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe | E♭ Major | 0 | 5B | 91 BPM | ||
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
Romanian Folk Dances, Sz. 68: No. 4, Buciumeana | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Gurre-Lieder / Part 1: 1. Orchestral Prelude | Arnold Schoenberg, Boston Symphony Orchestra, Seiji Ozawa | E Major | 3 | 12B | 89 BPM |