"Symphony, Op. 21: I. Ruhig, schreitend" by Anton Webern, Twentieth Century Classics Ensemble, Robert Craft was released on January 2, 2005. Since Symphony, Op. 21: I. Ruhig, schreitend is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Webern, A.: Symphony / 6 Pieces, Op. 6 / Concerto by Anton Webern, Robert Craft. The song's track number on the album is #1 out of 42 tracks. Symphony, Op. 21: I. Ruhig, schreitend is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony, Op. 21: I. Ruhig, schreitend by Anton Webern, Twentieth Century Classics Ensemble, Robert Craft has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony, Op. 21: I. Ruhig, schreitend being at 78 テンポ, the half-time would be 39 テンポ with a double-time of 156 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: IV. Finale. Allegro con moto | Dmitri Shostakovich, Mstislav Rostropovich, Gennady Rozhdestvensky, Moscow Philharmonic Orchestra | E♭ Major | 3 | 5B | 143 BPM | ||
7 Papillons: No. 1. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 56 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegro non troppo - | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 1 | 2B | 57 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Le marteau sans maître: "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | A♭ Major | 0 | 4B | 81 BPM | ||
5 Movements for String Quartet, Op. 5: II. Sehr langsam | Anton Webern, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 94 BPM | ||
Central Park In The Dark | Charles Ives, New York Philharmonic, Leonard Bernstein | D♭ Major | 3 | 3B | 95 BPM | ||
Variationen für Orchester, Op. 31: I. Introduktion. Mässig ruhig | Arnold Schoenberg, Philharmonia Orchestra, Robert Craft | E♭ Major | 2 | 5B | 65 BPM | ||
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio | Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel Raiskin | A♭ Major | 0 | 4B | 69 BPM |