"Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu" by Gabriel Fauré, Edward Higginbottom, Choir of New College, Oxford, Capricorn was released on 1996. The duration of Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu is about 3 minutes long, at 3:17. Based on our data, "Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 26 in Agnus Dei Volumes 1 & 2 by Edward Higginbottom. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu by Gabriel Fauré, Edward Higginbottom, Choir of New College, Oxford, Capricorn is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré / Arr. Rutter: Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Edward Higginbottom, Capricorn, Choir of New College, Oxford | D♭ Major | 1 | 3B | 73 BPM | ||
Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
Crucifixus | Antonio Lotti, Armonico Consort, Christopher Monks | C Minor | 1 | 5A | 127 BPM | ||
Qui es promesses | Guillaume de Machaut, James Bowman, Charles Brett, Early Music Consort Of London, David Munrow | B♭ Major | 2 | 6B | 131 BPM | ||
O tu suavissima virga | Hildegard of Bingen, Hildegard von Bingen, Singers of St. Laurence, Brooke Green, Neil McEwan | A Minor | 1 | 8A | 133 BPM | ||
Franck / Arr. Sandré: Mass, Op. 12, FWV 61: Panis Angelicus | César Franck, Halle Choir, Hallé, Maurice Handford | A Major | 1 | 11B | 85 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: I. Introitus - Requiem aeternam | Jean Richafort, Huelgas Ensemble | F Major | 1 | 7B | 83 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Evening Service In G Minor (Z.231): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM |