On May 31, 2024, the song "Le Nozze di Iole ed Ercole, Parte Prima: XIX. Aria (Alceo) "Di Flebili Accenti"" was released by Leonardo Leo, Christoph Hammer, Neue Hofkapelle München. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leonardo Leo, Christoph Hammer, Neue Hofkapelle München's "Leo: Le Nozze di Iole ed Ercole" album is number 19 out of 40. On top of that, Germany appears to be the country where this track was created. The popularity of Le Nozze di Iole ed Ercole, Parte Prima: XIX. Aria (Alceo) "Di Flebili Accenti" is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Le Nozze di Iole ed Ercole, Parte Prima: XIX. Aria (Alceo) "Di Flebili Accenti" by Leonardo Leo, Christoph Hammer, Neue Hofkapelle München to be Presto (very, very fast) because the track has a tempo of 182 テンポ, a half-time of 91テンポ, and a double-time of 364 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, IV. Allegro assai | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | B Major | 3 | 1B | 128 BPM | ||
Sonata II In G Minor: II. Allegro (Muffat) | Georg Muffat, Masques | F♯ Minor | 1 | 11A | 136 BPM | ||
Sonata Da Camera No. 7 in D minor, Op. 5: III. Sarabanda (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | D♭ Minor | 1 | 12A | 139 BPM | ||
Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
Dalla morte alla vita di Santa Maria Maddalena (Excerpts): Prendi pur quel legno [Live] | Leonardo Leo, Gian Luca Pasolini, Giuseppe Naviglio, Orchestra Barocca la Confraternita de Musici, Cosimo Prontera | F♯ Minor | 0 | 11A | 66 BPM | ||
Sonata in G, Op.1, No.9: 1. Allegro | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | D♭ Major | 1 | 3B | 79 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM |