"Masques et bergamasques Suite, Op. 112: II. Menuet: Tempo di minuetto - Allegretto moderato" by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot was released on June 10, 2014. The duration of Masques et bergamasques Suite, Op. 112: II. Menuet: Tempo di minuetto - Allegretto moderato is about 3 minutes long, at 3:02. Based on our data, "Masques et bergamasques Suite, Op. 112: II. Menuet: Tempo di minuetto - Allegretto moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 18 in Fauré: Masques et bergamasques & Pelléas et Mélisande by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot. In terms of popularity, Masques et bergamasques Suite, Op. 112: II. Menuet: Tempo di minuetto - Allegretto moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Masques et bergamasques Suite, Op. 112: II. Menuet: Tempo di minuetto - Allegretto moderato by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Nocturne No. 6 in D-Flat Major, Op. 63 | Gabriel Fauré, Jean Martin | D♭ Major | 1 | 3B | 69 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM |