On January 29, 1900, the song "Poor Old Joe" was released by Barry Johns, Paul Rich, Charles Young. With Poor Old Joe being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "The Happy Minstrel Show". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Poor Old Joe is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Poor Old Joe by Barry Johns, Paul Rich, Charles Young having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Act III Scene 4: Je réponds à tes vœux (La Haine, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Timothée Varon, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Il Pirata, Act I: Sì vincemmo | Vincenzo Bellini, Felice Romani, Franco Vassallo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Viktoria | Taktische Luftwaffengruppe "Richthofen" | A Major | 4 | 11B | 124 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Marsch! Trollt euch fort! - Remastered 2024 | Wolfgang Amadeus Mozart, Endre Koreh, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Lincke: Frau Luna: "Schlösser, die im Monde liegen" (Marie) | Paul Lincke, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Armide, LWV 71, Act I Scene 3: Entrée | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
23. If you go in you're sure to win | Arthur Sullivan, Thomas Round, John Reed, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 3 | 12B | 63 BPM | ||
Dracula - Teil 20 | Dracula | D Major | 3 | 10B | 108 BPM |