Arcangelo Corelli, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Concerto Grosso, op. 6, No. 7: Vivace-Allegro-Vivace' came out on July 3, 2020. The duration of Concerto Grosso, op. 6, No. 7: Vivace-Allegro-Vivace is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Concerto Grosso, op. 6, No. 7: Vivace-Allegro-Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 29 in Essential Masterpieces of Baroque Music by Sir Neville Marriner, Academy of St. Martin in the Fields. Based on our statistics, Concerto Grosso, op. 6, No. 7: Vivace-Allegro-Vivace's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso, op. 6, No. 7: Vivace-Allegro-Vivace by Arcangelo Corelli, Academy of St. Martin in the Fields, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
String Sonata No. 1 in G major: 1. Moderato | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 60 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Nacht und Träume, D.827 (Version For Cello And Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | F♯ Major | 0 | 2B | 74 BPM | ||
Violin Sonata in D Major, Op. 5 No. 1: II. Allegro | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | C Major | 3 | 8B | 125 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM |