"Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Allegro moderato - Nocturne" by Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois was released on November 5, 2013. With Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Allegro moderato - Nocturne being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jules Massenet, Orquesta Sinfónica de Barcelona, Patrick Gallois's "Massenet: Ballet Music" album is number 1 out of 32. On top of that, Hong Kong appears to be the country where this track was created. Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Allegro moderato - Nocturne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Allegro moderato - Nocturne by Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois to be Lento (slowly) because the track has a tempo of 50 テンポ, a half-time of 25テンポ, and a double-time of 100 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parade: I. Choral | Erik Satie, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Kazushi Ono | C Major | 3 | 8B | 74 BPM | ||
The Wand of Youth, Suite No. 1, Op. 1a: II. Serenade - 2023 Remastered Version | Edward Elgar, Sir Adrian Boult, London Philharmonic Orchestra | G Major | 3 | 9B | 75 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Thais Ballet Music: VI. Allegretto moderato | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | G Major | 0 | 9B | 103 BPM | ||
Suite de Pulcinella: III. Scherzino | Igor Stravinsky, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Kazushi Ono | C Major | 3 | 8B | 74 BPM | ||
Eylsian Fields | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Concerto in G Major For Flute & Strings, Op. 10, No. 4, RV 435: I. Allegro | Antonio Vivaldi, Patrick Gallois, Orpheus Chamber Orchestra | G Major | 1 | 9B | 142 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Mañana | Sofía Martínez, Benjamin Shwartz, Orquestra Simfònica de Barcelona i Nacional de Catalunya | G Major | 0 | 9B | 93 BPM | ||
Parade: IV. Petite Fille Américaine | Erik Satie, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Kazushi Ono | C Major | 1 | 8B | 92 BPM |