"Parade: IV. Petite Fille Américaine" by Erik Satie, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Kazushi Ono was released on October 1, 2019. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kazushi Ono, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Marina Rodríguez-Cusí's "Les ballets de Picasso" album is number 4 out of 43. In terms of popularity, Parade: IV. Petite Fille Américaine is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Parade: IV. Petite Fille Américaine by Erik Satie, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Kazushi Ono to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Nocturnes, Op. 9, No. 2 in E-Flat Major | Olga Scheps | B♭ Major | 0 | 6B | 65 BPM | ||
Somewhere in Between | Jacob LaVallee | E Minor | 1 | 9A | 139 BPM | ||
Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | G Major | 1 | 9B | 79 BPM | ||
Gnossienne No. 3 | Erik Satie, Francis Poulenc | A Minor | 0 | 8A | 62 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
3 Gymnopédies: Gymnopédie nr 3 (Arr. A. Miolin) | Erik Satie, Olof Höjer | A Minor | 0 | 8A | 135 BPM | ||
Gnossienne No. 6 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | E Minor | 0 | 9A | 67 BPM | ||
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 | Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint | F Minor | 0 | 4A | 71 BPM |