Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor's 'Violin Sonata No. 2 in Dorian Mode, C. 139: IV. Adagio' came out on January 19, 2024. With Violin Sonata No. 2 in Dorian Mode, C. 139: IV. Adagio being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 56 in Biber: Violin Sonatas Nos. 1-8, C. 138-145 by Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Violin Sonata No. 2 in Dorian Mode, C. 139: IV. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 2 in Dorian Mode, C. 139: IV. Adagio by Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM | ||
Barabano | Giovanni Battista Vitali, Luigi Cozzolino, Semperconsort | D♭ Minor | 3 | 12A | 126 BPM | ||
Partita for Violin and Lute in G Minor, BWV 997r: II. Fuga | Johann Sebastian Bach, Combattimento | G Minor | 2 | 6A | 150 BPM | ||
Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
Ballo del Granduca | Anonymous, Luigi Accardo | A Minor | 2 | 8A | 129 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
Mystery (Rosary) Sonata: No. 2 in A Major “The Visitation”: I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM |