George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Valda Aveling made "Marches: Atalanta - Joshua - Occasional Oratorio - 1998 Remastered Version" available on 2002. The duration of Marches: Atalanta - Joshua - Occasional Oratorio - 1998 Remastered Version is about 3 minutes long, at 3:10. Based on our data, "Marches: Atalanta - Joshua - Occasional Oratorio - 1998 Remastered Version" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Yehudi Menuhin, Menuhin Festival Orchestra's "Handel Sarabande" album is number 14 out of 22. The popularity of Marches: Atalanta - Joshua - Occasional Oratorio - 1998 Remastered Version is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Marches: Atalanta - Joshua - Occasional Oratorio - 1998 Remastered Version by George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Valda Aveling to be Vivace (lively and fast) because the track has a tempo of 173 テンポ, a half-time of 86テンポ, and a double-time of 346 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 68 BPM | ||
Bach, JS: Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Yehudi Menuhin, Christian Ferras, Bath Festival Orchestra | E♭ Major | 5 | 5B | 91 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Major | 4 | 11B | 133 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Violin Concerto in D Minor, MWV 03: II. Andante | Felix Mendelssohn, Yehudi Menuhin | D Major | 3 | 10B | 86 BPM |