David Allen, Jürgen Kalwa made "Kapitel 138 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" available on 2011. The duration of Kapitel 138 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:03. Based on our data, "Kapitel 138 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 68 out of 210. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Kapitel 138 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 138 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Otello: Atto Primo: Innaffia l'ugola! | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 1 | 9A | 79 BPM | ||
Puccini: Tosca, Act 1: "Il cannon del castello!" (Cavaradossi, Angelotti, Sagrestano, Coro) | Giacomo Puccini, Victor de Sabata, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Giuseppe Di Stefano, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 89 BPM | ||
L'italiana in Algeri: Atto Ii. Recitativo. Orsù: La tua nipote con chi crede | Gioachino Rossini, Ricardo Seguel, Alasdair Kent, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | B Major | 2 | 1B | 171 BPM | ||
Kapitel 30 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag | David Allen, Jürgen Kalwa | B Minor | 3 | 10A | 89 BPM | ||
Les adieux de Marie Stuart, WWV 61 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Le nozze di Figaro, K. 492: Voi che sapete (Cherubino) | Wolfgang Amadeus Mozart, Marina Viotti, Gli Angeli Genève, Stephan MacLeod | D Minor | 1 | 7A | 165 BPM | ||
Puccini: Turandot, Act 2: "No, no, Principessa, altera!" (Calaf, Coro, Altoum) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Michael Spyres, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 81 BPM | ||
Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Minor | 1 | 9A | 81 BPM | ||
Medea (Medee) (Sung in Italian): Act III: Tu Glauce piangi sol (Medea, Giasone, Chorus) | Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno | G Major | 2 | 9B | 85 BPM | ||
Maria Stuarda: Act II Scene 2: Del suo core, del suo cor convinta io sono (Maria Stuarda, Leicester) | Gaetano Donizetti, Carmela Remigio, Sonia Ganassi, Joseph Calleja, Riccardo Zanellato, Marzio Giossi, Cinzia Rizzone, Circuito Lirico Regional Chorus, Fondazione Orchestra Gaetano Donizetti Di Bergamo, Fabrizio Maria Carminati | D♭ Major | 2 | 3B | 82 BPM |