Gaetano Donizetti, Carmela Remigio, Sonia Ganassi, Joseph Calleja, Riccardo Zanellato, Marzio Giossi, Cinzia Rizzone, Circuito Lirico Regional Chorus, Fondazione Orchestra Gaetano Donizetti Di Bergamo, Fabrizio Maria Carminati's 'Maria Stuarda: Act II Scene 2: Del suo core, del suo cor convinta io sono (Maria Stuarda, Leicester)' came out on January 1, 2002. With Maria Stuarda: Act II Scene 2: Del suo core, del suo cor convinta io sono (Maria Stuarda, Leicester) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 42 in Donizetti: Maria Stuarda by Gaetano Donizetti, Fabrizio Maria Carminati. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Maria Stuarda: Act II Scene 2: Del suo core, del suo cor convinta io sono (Maria Stuarda, Leicester) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Maria Stuarda: Act II Scene 2: Del suo core, del suo cor convinta io sono (Maria Stuarda, Leicester) by Gaetano Donizetti, Carmela Remigio, Sonia Ganassi, Joseph Calleja, Riccardo Zanellato, Marzio Giossi, Cinzia Rizzone, Circuito Lirico Regional Chorus, Fondazione Orchestra Gaetano Donizetti Di Bergamo, Fabrizio Maria Carminati is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cherubini: Medea, Act I: "Or che più non vedrò" (Giasone) | Luigi Cherubini, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Mirto Picchi, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | G Major | 2 | 9B | 97 BPM | ||
Tosca / Act 1: "Ed io venivo a lui tutta dogliosa" | Giacomo Puccini, Montserrat Caballé, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F♯ Major | 3 | 2B | 164 BPM | ||
"None But The Lonely Heart", Op.6, No.6 | Pyotr Ilyich Tchaikovsky, Joseph Calleja, BBC Concert Orchestra, Steven Mercurio | F Minor | 2 | 4A | 72 BPM | ||
Rigoletto: Act III: La donna e mobile | Giuseppe Verdi, Piero Cappuccilli, Nicolai Gedda, Munich Radio Orchestra, Kurt Peter Eichhorn | F♯ Major | 1 | 2B | 81 BPM | ||
Puccini: Suor Angelica: "Ho un desiderio anchi'io!" (Suor Dolcina, Suor Genovieffa, Suor Angelica, Una novizia, La sorela infermiera, Chorus) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | D♭ Major | 0 | 3B | 78 BPM | ||
Non ti scordar di me | Ernesto de Curtis, Joseph Calleja, BBC Concert Orchestra, Steven Mercurio | A Major | 3 | 11B | 83 BPM | ||
Mozart: Basta, vincesti… Ah, non lasciarmi, K. 486a | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 0 | 5B | 70 BPM | ||
Lucia di Lammermoor, Act I: Il tuo dubbio | Gaetano Donizetti, Coro del Teatro Carlo Felice di Genova, Didier Pieri, Stefano Antonucci, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 71 BPM | ||
Verdi: La traviata, Act 2: "Di Provenza il mar, il suol" (Germont) | Giuseppe Verdi, Maria Callas, Ugo Savarese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | D♭ Major | 1 | 3B | 95 BPM | ||
La forza del destino, Act IV, Scene I: Invano Alvaro | Giuseppe Verdi, Simone Piazzola, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM |