Charles Edouard Lefèbvre, Andras Horn, Jozsef Gabor's 'Fantasie-Caprice, Op. 118' came out on July 15, 2014. Since Fantasie-Caprice, Op. 118 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jozsef Gabor, Andras Horn's "Lefebvre: Fantasie-Caprice / Cahuzac: Arlequin / Cardew: Scherzo" album is number 2 out of 11. On top of that, Hungary appears to be the country where this track was created. Fantasie-Caprice, Op. 118 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Fantasie-Caprice, Op. 118 by Charles Edouard Lefèbvre, Andras Horn, Jozsef Gabor to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norwegian Peasant Dances, Op. 72: No. 17, Kivlemøyane. Gangar. Allegretto marcato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bouree | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
Abbey Road concerto for Violin and Orchestra: II. Come together | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
3つのノヴェレッテ 第2曲 変ロ短調 | プーランク, Kyohei Sorita, 荒木奏美, MLMナショナル管弦楽団 | D Minor | 1 | 7A | 92 BPM | ||
Invocation (based on Mozart’s Le nozze di Figaro, K. 492) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | A Minor | 1 | 8A | 174 BPM | ||
Aria dalla Germania: "Du, du liegst mir im Herzen" Op.22: VIII. Variazione VI Allegretto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | E Major | 3 | 12B | 145 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
Improvisationen, Op. 18: Andantino | Max Reger, Markus Pawlik | D Major | 0 | 10B | 140 BPM | ||
Le disparu, FP 134 (Arr. Haginomori for Flute and Piano) | Francis Poulenc, Cocomi, Niu Niu | A Major | 0 | 11B | 72 BPM |