Benjamin Britten, Budapest Strings, Karoly Botvay's 'Simple Symphony, Op. 4: I. Boisterous Bouree' came out on January 1, 2002. The duration of Simple Symphony, Op. 4: I. Boisterous Bouree is about 3 minutes long, at 3:15. Based on our data, "Simple Symphony, Op. 4: I. Boisterous Bouree" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Karoly Botvay's "Holst, G.: St. Paul's Suite / A Fugal Concerto / Britten, B.: Simple Symphony / Walton, W.: 2 Pieces for Strings" album is number 12 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Simple Symphony, Op. 4: I. Boisterous Bouree's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Simple Symphony, Op. 4: I. Boisterous Bouree by Benjamin Britten, Budapest Strings, Karoly Botvay to be Allegro (fast, quick, and bright) because the track has a tempo of 144 テンポ, a half-time of 72テンポ, and a double-time of 288 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Halljuk (Hear! Hear!) Csardas | Márk Rózsavölgyi, Budapest Strings, Karoly Botvay | D Minor | 1 | 7A | 172 BPM | ||
交響曲 第40番 K.550~第3楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Major | 1 | 9B | 153 BPM | ||
Sonatina, Op. 100: Scherzo. Molto vivace | Antonín Dvořák, Josef Suk, Alfréd Holeček | G Major | 2 | 9B | 131 BPM | ||
Divertissement, Vorstellungen 1803: No. 4, Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
5 German Dances with 7 Trios and Coda, D. 89: No. 1, German Dance in C Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Organ Concerto No. 3 in G Minor, Op. 4, No. 3, HWV 291: III. Adagio | George Frideric Handel, Erzsebet Achim, Budapest Strings, Karoly Botvay | F Major | 0 | 7B | 117 BPM | ||
Symphony No. 1 in E-Flat Major, Op. 2: IV. Finale. Allegro maestoso | Camille Saint-Saëns, Thierry Fischer, Utah Symphony Orchestra | B♭ Major | 2 | 6B | 67 BPM | ||
Serenade for Strings in E Major, B.52: III. Scherzo. Vivace | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | F Major | 1 | 7B | 127 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
Symphony No. 1, Op. 11: II. Andante | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM |