Robert Schumann, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma made "Piano Quartet in E-Flat Major, Op. 47: II. Scherzo. Molto vivace" available on 1994. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 7 in Beethoven, Schumann: Piano Quartets (Remastered) by Yo-Yo Ma. In terms of popularity, Piano Quartet in E-Flat Major, Op. 47: II. Scherzo. Molto vivace is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Piano Quartet in E-Flat Major, Op. 47: II. Scherzo. Molto vivace by Robert Schumann, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Belsatzar, Op. 57 | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | C Minor | 1 | 5A | 83 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, Lorin Maazel, Yo-Yo Ma, Berliner Philharmoniker | G Major | 0 | 9B | 87 BPM | ||
Scarlatti, D: Keyboard Sonata in D Major, Kk. 443 | Domenico Scarlatti, Mikhail Pletnev | D Major | 1 | 10B | 100 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 128 BPM | ||
Adagio and Allegro, Op. 70 (arr. for viola and piano) | Tabea Zimmermann, Robert Schumann, Hartmut Höll | A♭ Major | 1 | 4B | 84 BPM | ||
Piano Trio No. 2 in E Minor, Op. 67: IV. Allegretto | Dmitri Shostakovich, Yo-Yo Ma, Emanuel Ax, Isaac Stern | A Major | 1 | 11B | 161 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Major | 1 | 10B | 148 BPM | ||
Concerto in B-flat Major for Cello, Strings and Basso continuo, RV 423: III. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | A Major | 1 | 11B | 108 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Carnival of the Animals, R. 125: The Elephant | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | B♭ Major | 0 | 6B | 121 BPM |