"Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo" by Antonín Dvořák, Lorin Maazel, Yo-Yo Ma, Berliner Philharmoniker was released on 1986. Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo appears to be safe for all ages as it is not explicit. The song is number 2 out of 5 in Dvorák: Cello Concerto; Silent Woods; Rondo (Remastered) by Antonín Dvořák, Yo-Yo Ma. Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo by Antonín Dvořák, Lorin Maazel, Yo-Yo Ma, Berliner Philharmoniker is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (e) Langsam, Misterioso (Chorus, Soprano) - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 122 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 4. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 124 BPM | ||
Symphony No.1 In C Minor, Op.68: 3. Un poco allegretto e grazioso | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 84 BPM | ||
Capriccio Espagnol, Op. 34: II. Variazioni | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | G Major | 2 | 9B | 74 BPM | ||
Kinderszenen, Op.15: 5. Glückes genug | Robert Schumann, Martha Argerich | G Major | 1 | 9B | 88 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: 1. Allegro non troppo e molto maestoso - Excerpt | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | D♭ Major | 3 | 3B | 78 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM |