"Candide / Act I: 1a. Westphalia Chorale" by Leonard Bernstein, London Symphony Chorus, London Symphony Orchestra was released on January 1, 1991. With Candide / Act I: 1a. Westphalia Chorale being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Candide / Act I: 1a. Westphalia Chorale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act I: 1a. Westphalia Chorale by Leonard Bernstein, London Symphony Chorus, London Symphony Orchestra is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess) | Benjamin Britten, Daniel Harding, Jane Henschel, Mahler Chamber Orchestra | D Major | 0 | 10B | 111 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - The Sacrifice. Introduction. Largo (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | D Minor | 0 | 7A | 60 BPM | ||
Enigma Variations: Variation XIV. E.D.U - Allegro | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Major | 2 | 9B | 88 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Princess Leia's Theme | John Williams, London Symphony Orchestra | F Major | 1 | 7B | 73 BPM | ||
Symphony No.2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Sehr mäßig und zurückhaltend - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | C Major | 0 | 8B | 86 BPM | ||
Requiem: XIV. Agnus Dei | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra | C Major | 0 | 8B | 173 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Jesu! by that shuddering dread | Sir Edward Elgar, Bryn Terfel, Paul Groves, Sir Mark Elder, Hallé | E♭ Major | 0 | 5B | 134 BPM |