"Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess)" by Benjamin Britten, Daniel Harding, Jane Henschel, Mahler Chamber Orchestra was released on January 1, 2002. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 33 in Britten: The Turn of the Screw by Benjamin Britten, Daniel Harding. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess) by Benjamin Britten, Daniel Harding, Jane Henschel, Mahler Chamber Orchestra is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spring Symphony, Op. 44, Part I: The Morning Star (Chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus | D Major | 2 | 10B | 148 BPM | ||
Symphony No. 8, Zweiter Teil: XIII. Neige, neige, du Ohnegleiche | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, MDR Leipzig Radio Chorus, Susan Bullock, Knaben des Staats- und Domchors Berlin, Anna Prohaska | B♭ Major | 1 | 6B | 79 BPM | ||
Sonata For Arpeggione And Piano In A Minor, D. 821: 3. Allegretto | Franz Schubert, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Rosemarie Lang, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Serenade for tenor, horn & strings, Op.31: Serenade for tenor, horn & strings, Op.31: III. Nocturne | Benjamin Britten, Mark Padmore, Britten Sinfonia | E♭ Major | 2 | 5B | 79 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 7: No. 7, Duo, "Parle-moi de ma mère" (Micaëla, Don José) | Georges Bizet, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 87 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Sonata For Arpeggione And Piano In A Minor, D. 821: 2. Adagio | Franz Schubert, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
A Charm (Arr. C. Matthews for voice and orchestra) | Benjamin Britten, Catherine Wyn-Rogers, Royal Northern Sinfonia, Steuart Bedford | A Major | 1 | 11B | 92 BPM | ||
Aniara: Act II Scene 4: Jag anar dödens skugga … | Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg | D♭ Major | 0 | 3B | 90 BPM |