"A Somerset Rhapsody, Op. 21 No. 2, H. 87" by Gustav Holst, Richard Hickox, London Symphony Orchestra had its release date on January 1, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Richard Hickox, London Symphony Orchestra's "Holst: Orchestral Works" album is number 2 out of 7. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, A Somerset Rhapsody, Op. 21 No. 2, H. 87 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Somerset Rhapsody, Op. 21 No. 2, H. 87 by Gustav Holst, Richard Hickox, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masquerade - Ballet Suite: 3. Mazurka | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 3 | 4B | 94 BPM | ||
Két Tétel: II. Csűrdöngölő (Arr. Stephan Koncz) | Leó Weiner, Andreas Ottensamer, Leonidas Kavakos, Christoph Koncz, Antoine Tamestit, Stephan Koncz, Odon Racz, Oszkár Ökrös | G Minor | 3 | 6A | 87 BPM | ||
A Somerset Rhapsody, Op. 21, No. 2 | Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | B Minor | 0 | 10A | 65 BPM | ||
Capriccio Espagnol, Op. 34: 2. Variazioni | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 80 BPM | ||
Mozart: Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto | Wolfgang Amadeus Mozart, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra | E♭ Major | 0 | 5B | 95 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, London Symphony Orchestra, Mstislav Rostropovich | G Major | 2 | 9B | 145 BPM | ||
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM | ||
Irish Tune from County Derry | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | F Major | 0 | 7B | 77 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 22, Folk Dance | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 123 BPM |