"Otello: Dio! Mi potevi scagliar (Monologue)" by Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel, Plácido Domingo was released on 2004. With this song being about 5 minutes long, at 4:40, "Otello: Dio! Mi potevi scagliar (Monologue)" by Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel, Plácido Domingo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Best Opera Classics, so we believe that "Otello: Dio! Mi potevi scagliar (Monologue)" is a single. Otello: Dio! Mi potevi scagliar (Monologue) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Otello: Dio! Mi potevi scagliar (Monologue) by Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel, Plácido Domingo is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Ponchielli: La Gioconda, Act 2: "II mio braccio t'afferra!" (Gioconda, Laura) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano | B♭ Minor | 2 | 3A | 63 BPM | ||
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: In fiamma quest'alma (Poliuto/Nearco/Christiani) | Gaetano Donizetti, Salvatore Cammarano, Franco Corelli, Piero de Palma, Virgilio Carbonari, Giuseppe Morresi, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E Major | 5 | 12B | 105 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
Norma, Act I Scene 1: "Casta Diva" | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F Major | 1 | 7B | 88 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM |