"Wozzeck / Act I: Scene I: The Captain's room. "Langsam, Wozzeck, langsam!"" by Alban Berg, Franz Grundheber, Heinz Zednik, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1988. Since Wozzeck / Act I: Scene I: The Captain's room. "Langsam, Wozzeck, langsam!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. Based on our statistics, Wozzeck / Act I: Scene I: The Captain's room. "Langsam, Wozzeck, langsam!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act I: Scene I: The Captain's room. "Langsam, Wozzeck, langsam!" by Alban Berg, Franz Grundheber, Heinz Zednik, Wiener Philharmoniker, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 122 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rathhausball Tänze, Walzer, Op. 438 | Johann Strauss II, Mariss Jansons, Wiener Philharmoniker | D Major | 1 | 10B | 134 BPM | ||
Postillon Galop, Op. 16/2 | Hans Christian Lumbye, Andris Nelsons, Wiener Philharmoniker | E♭ Major | 4 | 5B | 164 BPM | ||
Die Meistersinger von Nürnberg - Act 3: "Morgen ich leuchte" | Richard Wagner, Norman Bailey, Bernd Weikl, Michel Sénéchal, Kurt Moll, Adalbert Kraus, Martin Egel, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Major | 3 | 8B | 84 BPM | ||
Wozzeck / Act III: Scene V: Street Before Marie's Door. "Ringel, Ringel, Rosenkranz" | Alban Berg, Viktoria Lehner, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 140 BPM | ||
Symphony No. 3 in D Major, D.200: II. Allegretto | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | G Major | 0 | 9B | 115 BPM | ||
Symphony No. 3 in D, D.200: IV. Presto. Vivace | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | D Major | 3 | 10B | 98 BPM | ||
Pelléas et Mélisande, L. 88 / Act I: "Pourquoi pleures-tu?" | Claude Debussy, Maria Ewing, José van Dam, Wiener Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 69 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Ist ein Traum, kann nicht wirklich sein" - "Spür nur dich" | Richard Strauss, Helen Donath, Yvonne Minton, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 94 BPM | ||
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | E♭ Major | 2 | 5B | 166 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM |