Igor Stravinsky, English Chamber Orchestra, Sir Colin Davis's 'Concerto in D for strings: 2. Arioso' came out on January 1, 1989. The duration of Concerto in D for strings: 2. Arioso is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Concerto in D for strings: 2. Arioso's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Stravinsky: Dumbarton Oaks; Danses Concertantes; Concerto in D for Strings". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Concerto in D for strings: 2. Arioso is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto in D for strings: 2. Arioso by Igor Stravinsky, English Chamber Orchestra, Sir Colin Davis having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: Bydlo | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A Major | 0 | 11B | 101 BPM | ||
Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 86 BPM | ||
String Quartet No. 2 "Intimate Letters": String Quartet No. 2 "Intimate Letters": IV. Allegro. Andante. Adagio | Leoš Janáček, Melos Quartet | A♭ Minor | 1 | 1A | 98 BPM | ||
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
Enigma Variations: Variation XIV. E.D.U - Allegro | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Major | 2 | 9B | 88 BPM | ||
Canticum sacrum ad honorem Sancti Marci nominis: Ad Tres Virtutes Hortationes: Caritas - | Igor Stravinsky, Christian Elsner, Rudolf Rosen, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln | D♭ Major | 0 | 3B | 98 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | A♭ Major | 1 | 4B | 107 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Valéry Gergiev, Mariinsky Orchestra | A♭ Major | 3 | 4B | 128 BPM | ||
Oedipus Rex: Epilogue | Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | D♭ Major | 6 | 3B | 90 BPM |