Claudio Monteverdi, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Sean Clayton, Lisandro Abadie made "Terzo Libro di madrigali, SV 60–74: Vattene pur, crudel (Part I)" available on May 11, 2015. With Terzo Libro di madrigali, SV 60–74: Vattene pur, crudel (Part I) being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, Les Arts Florissants, Paul Agnew's "Monteverdi: Madrigali - Cremona Vol. 1" album is number 19 out of 21. Terzo Libro di madrigali, SV 60–74: Vattene pur, crudel (Part I) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Terzo Libro di madrigali, SV 60–74: Vattene pur, crudel (Part I) by Claudio Monteverdi, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Sean Clayton, Lisandro Abadie to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
"If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM | ||
Terpsichore*: Ballet des coqs | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 4 | 8B | 106 BPM | ||
Concerto for Lute and 2 Violins in D Major, RV 93: III. Allegro | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | D♭ Major | 2 | 3B | 145 BPM | ||
Sanctissima Virgo (Sacrae cantiones una, duabusque vocibus coninendae, 1618, J. Cassiani, Modena) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 78 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM |